Switchfoot – The World You Want



What you say is your religion
How you say it’s your religion
Who you love is your religion
How you love is your religion
All your science, your religion
All your hatred, your religion
All your wars are your religion
Every breath is your religion, yeah

You change the world
You change the world
You change my world
Everyday you’re alive

Whistle – Flo Rida

Song Dissection

if you havent watched the music video

its here.

but honestly don’t bother.

So as i promised i tried watching the music video and reading the lyrics.

this is my first time really watching it and really trying to figure the lyrics out.

kinda failed attempt really.

i’ll tell you why in a bit.

and this is my personal critic about the whole experience.

i had to do a three part study.

first let me tell you what i think of the music video.

it sucked.

no logic. no timing sequence.

it is only connected to the lyrics by the word “whistle”

with clips of a sexy girl lip whistling.

and i think that lip is the most sexiest thing in the whole vid haha.

not the girls in bikini.

not the party girls.

not the swimming girls.

not the girls shaking their booty.

the lips were prolly the most sexy thing there.

my conclusion:

next part.

the music.

i’d be honest, the music is rather catchy.

the beat does get my head bobbing.

and the whistling tune is cool with the beat going.

but the music video really spoiled what thoughts i had about the music.

and for the last and most important part:

the lyrics.

im gonna highlight some of the lyrics.

but honestly, i think its a bunch of nonsense where he tries to rhyme party talk and dirty talk in the same sentence.

da chorus:

Can you blow my whistle baby, whistle baby
Let me know
Girl I’m gonna show you how to do it
And we start real slow
You just put your lips together
And you come real close
Can you blow my whistle baby, whistle baby
Here we go


there is no way the message of this grammatically incorrect sentence says: Dear, would you whistle a sweet tune for me?

i dunno how to make this sound any cleaner, but its a plain invitation to suck my *lollipop*.

sorry for the harsh language.

seriously, its so sick how unclassy superstars can be.

if i was a sexy girl, i would never ever ever want to be paid to show my body on his music video.

what is he portraying the women of today as?


da verse:

(Look) I’m betting you like people
And I’m betting you love freak mode
And I’m betting you like girls that give love to girls
And stroke your little ego

i dunno what to say about this.

1# everybody likes people right?

2# freak mode as in?

3# girls that give love to girls? you mean lesbians? you mean katy perry kissing a girl and liking it?

4# “stroking your little ego” just sounds like a sex scene from an adult novel.

another part of da verse:

Bet your lips spin back around corner
Slow it down baby take a little longer

ah i give up.

da bridge:

Whistle baby, whistle baby,
Whistle baby, whistle baby
Whi-whistle baby, whistle baby
Whistle baby, whistle baby
Whi-whistle baby, whistle baby

this is probably the cleanest few lines in the whole song.

da verse again:

It’s like everywhere I go
My whistle ready to blow

he’s probably saying he’d like to have sex

or be given oral sex

by anybody anytime anywhere.

da verse:

Told me she’s not a pro
It’s okay, it’s under control
Show me soprano, ’cause girl you can handle
Baby we start snagging, you come up in part clothes

the first two lines i think is referring to if a girl is unsure or has never given oral sex before

and flo rida is reassuring her that everythings ok.

the next two lines i have no idea.

however i think “you come up in part clothes” just means “you should take your clothes OFF”

da verse once more:

Hope you ain’t got no issue, you can do it
Give me the perfect pitch, ya never lose it

this one is sad, because there are real issues and debate about oral sex.

some people are against it. and of course, some girls are unsure about it.

but here he goes again doing his reassuring thing.

last time for da verse:

Go girl you can twerk it
Let me see you whistle while you work it
I’mma lay it back, don’t stop it
‘Cause I love it how you drop it, drop it, drop it on me
Now, shawty let that whistle blow-oh, oh oh
Yeah, baby let that whistle blow-oh oh!

i dont really know what to say about this.

im such a fail critic.

i’m pretty disgusted by what radio stations are playing over and over again.

what my siblings and their friends would be listening on the radio.

all this brainwashing.

gosh. no wonder people these days are so ready to jump into sex.

no wonder romance is not a big deal anymore.

no wonder love only comes after.



i really dislike how he repeats these few statements:

1# i really want you to give me oral sex.

2# you really want to give me oral sex.

3# it’s ok. its not wrong.

4# you’re a sexy girl, you’re supposed to do this. and also please take your clothes off thanks.

this is my personal opinion.

if you disagree with me, do feel free to let me know.

The Hallel



Anyone can sing in the sunshine, but to sing in the shadows is a rare accomplishment

What can we learn from the Passover Song? That we can turn our troubles into treasure and our sorrow into song.

Faith can sing her song in the darkest hour. Sorrow and singing are not incompatible.”

-J. Oswald Sanders



“Hallel”, or “Praise” in english, is a song sung during Passover feasts as tradition.

which is the feast Jews remember how God saved the Israelites out of Egypt.

the Hallel is comprised of Psalm 113-118 which is originally one song before they were collected into psalms.


during Jesus’ time, they also celebrated the Passover feasts.

and so did Jesus.

the most famous record of Jesus at a Passover feast is His last one before He was betrayed and sent to suffer.


He knew what was gonna come, yet He still sang the Hallel during the Passover feast.

Still celebrated God’s goodness.


how to celebrate when u know you’re gonna DIE?

either He’s got serious mental problems,

or He’s a REAL man for just delighting in fulfilling God’s will.